Crime and Culpability: A Theory of Criminal Law by Larry Alexander (English) Pap
Larry Alexander and Kimberly Kessler Ferzan argue that desert is a function of the actor’s culpability, and that culpability is a function of the risks of harm to protected interests that the actor believes he is imposing and his reasons for acting in the face of those risks.
Crime and Culpability: A Theory of Criminal Law by Larry Alexander (English) Pap
Larry Alexander and Kimberly Kessler Ferzan argue that desert is a function of the actor’s culpability, and that culpability is a function of the risks of harm to protected interests that the actor believes he is imposing and his reasons for acting in the face of those risks.
Crime and Culpability: A Theory of Criminal Law by Larry Alexander (English) Pap
Larry Alexander and Kimberly Kessler Ferzan argue that desert is a function of the actor’s culpability, and that culpability is a function of the risks of harm to protected interests that the actor believes he is imposing and his reasons for acting in the face of those risks.
Crime and Culpability: A Theory of Criminal Law by Larry Alexander (English) Har
Larry Alexander and Kimberly Kessler Ferzan argue that desert is a function of the actor’s culpability, and that culpability is a function of the risks of harm to protected interests that the actor believes he is imposing and his reasons for acting in the face of those risks.
Crime and Culpability: A Theory of Criminal Law by Larry Alexander (English) Har
Larry Alexander and Kimberly Kessler Ferzan argue that desert is a function of the actor’s culpability, and that culpability is a function of the risks of harm to protected interests that the actor believes he is imposing and his reasons for acting in the face of those risks.
Crime and Culpability: A Theory of Criminal Law by Larry Alexander (English) Har
Larry Alexander and Kimberly Kessler Ferzan argue that desert is a function of the actor’s culpability, and that culpability is a function of the risks of harm to protected interests that the actor believes he is imposing and his reasons for acting in the face of those risks.